Absolutely astounded by these news. Lets hope this sets an example for all other states and Canada while were at it!
Animals SHOULD NOT be exploited for the use of entertainment or performance. They have a right to their own freedom, just like humans. Even though many humans are just as well stripped of these rights the same way. They have a right to live a long, fulfilling life, hunting for prey or running around in the African desserts.
I work towards a world where animals have these rights. Let’s help them get their rights back, the rights they had before humans. Open your eyes..
I am hopeful. I pray for all species and take one step of action everyday to help preserve their lives, towards making the world a place where elephants will not get shot for roaming the streets and bears can accidentally walk into a residential area without being shot to death, and where rain forests are not being destroyed for non other than greedy reasons of human The rights they deserve and should not have been stripped of in the first place.
We can help by changing the way the human race thinks, and certain lifestyles we adopt. What we have on our hands is a problem with the human race as a whole, but there is something we can do. Plant that tree, report about the destruction of the rainforest, get involved in data journalism: give statistics about the deaths of exotic animals, household pets in China that are stolen from their homes, or performing animals who are stolen from their own NATURAL home (dessert, rainforest, jungle) to live a life of misery in a cage or stage.
There are some that care but not enough of us. Please be one of them. Love exotic animals, they give us the non-physical resources we need to survive, and they are beautiful and complex creatures who are intelligent, mentally conscious and capable of feelings and emotions.
Connect with me, and maybe, we can make a difference.
The Animal Voice was created in order to give animals of all kinds whether performing seals, manta rae’s, and lions, farming animas like cows, horses, and pigs to rodeo’s where baby calf’s are not given a choice whether they like their feet tied together as they are slammed to the ground, the voice which they do not have. There are too many unreported cases of cruelty and abuse to animals where they fall victim and are unable to speak up or at least cry for help.
This was my first attempt at creating a podcast. To elaborate on the meaning behind it, animals are often overlooked in society, as well as minority groups, animals can be seen as vulnerable because unlike human beings, they are not given a choice to live or to die. They do not have the same privileges or rights to execute decisions on their own bodies like humans do.
The primary goal of this future podcast series will be to do exactly that! To work towards a world where animals are almost, if not exactly equal to humans. This may be a far stretch to achieve this goal, but can’t really know the challenge until you try, right?
The 2015 Spring Gallery Walk which took place on Apr 15 consisted of several Art Gallery’s that opened up for art demonstrations, and live painting for observers. Artist and Architect, Fraser Brinsmead explains his art work from the perspective of the people as he paints a cathedral on a rainy day at West End Gallery, saying the clouds tend to add a lot of mood to the painting.
This post speaks volumes to me. I have never seen everything I have been struggling with in the past few months put so simply in one body of text. Your post speaks on everything i have wanted to see in humanity but have yet to. When you speak about how we are so different from one another, we can start thinking about ways that we should make it our priority to rebuild these bonds and relationships between people again. You are using the opposing force, the idea of the disconnect, to make us think and see that society has made our life’s activities into an endless routine of loving the hand that feeds us.
“There are too many of us and we are all too far apart.” ― Kurt Vonnegut
I’m writing these words knowing that people from all over the world are going to read them. People of all ages, ethnic and cultural backgrounds, of different religious beliefs. Most of them, I’ll never get a chance to meet. Most of them, I don’t know how they look like, what’s the thing they want most in this world, or what is it that they’re afraid of… most of them are perfect strangers to me.
Yet, simply by writing these words with these strangers in my mind, having the certainty that my words will reach them, they become a little bit more than strangers. They become human beings, just like myself, and that is one of life’s greatest achievements.
Let’s explore that question… culinary practice is usually not the first thing that comes to mind when thinking about art. At the National Congress on Culture, Opening Cocktail, I went out and asked culinary experts about food creation as an art form.
Top Chef, Nelvin Reyes believes that in order to gain someone’s attention in the industry, an artist must use their culinary expertise to keep the guests or audiences entertained, whether it’s the way the dish is presented or the details which are added afterwards. The arts, heritage, diversity and spirit in the community, is told through these different characteristics that make up the cultural and artistic person.
Other culinary experts believe that the only thing which gets them ahead of the game is word of mouth. Sous Chef at North 53, Josh Dissanayake says, “it’s more important to do what you want to do than to know how to do something”. Josh took me through the steps to create the Duck Rilette with Salt Cured Foie Gras & Sweet N’Sour Jelly. With immaculate attention to detail, he provided evidence to backup the claim that culinary practice is indeed an art form.
Josh says that “anyone can cook if you learn how to, but to be an expert you have to cook beyond toast and eggs.” He embraces the culinary arts as a positive challenge and encourages taking the “least easiest thing to cook and make it into something likeable.” The challenge is what motivates him.
Culinary kitchens don’t often allow guests to view the actual kitchen. But at Josh’s restaurant, he lets guests tour the kitchen to see how food is prepared. People enjoy knowing where their food comes from, and it’s important for the community to see the hard work that goes into the art of food. It’s not just simply “stuffing your face,” says Josh.
When asked about his strategies for progressing in the culinary field, Josh emphasized that work is part of his identity, and his personality is brought out in the food.
Culture Days and National Broadcast Partner CTV (Bell Media) invited Canadian journalism and media students to participate in a Student Reporter and Media Internship program during the Annual National Congress on Culture in Edmonton, Alberta on May 7 and 8, 2015. Five lucky students participated in this innovative program including a behind-the-scenes guided tour of the CTV Newsroom in Edmonton and a once-in-lifetime mentoring session with Marci Ien, co-host of CTV’s Canada AM.
We, as cities, and communities, must create an environment, or habitat where each and every one of us does not just survive, but thrive. That’s the impetus of Cities for People, says Shawn Van Sluys, Executive Director of Musagetes Foundation who facilitated a conversation about the national initiative during #Congress2015.
With partners across the country, Cities for People explores a series of broad themes: CityScapes, New Economies, Citizen Spaces, and Art and Society. At #Congress2015, Van Sluys focused on the work of the Art and Society team who have been experimenting on changing the stories and practices of the community through arts and culture. Their goal is to find a way to make art more accessible in cities, and they recognize that they will need to use different techniques for different cities.
Van Sluys wants to transform unused spaces in cities into useable spaces. For him it is about people contributing to the creation of their city. People should “not just be living in concrete blocks but should have a reflection of themselves in the city,” he says.
The creation of Cities for People reflects the urgency to understand each other across the world. According to Sluys, the arts build empathy and have the capacity to increase love between people of different cultures across the world. With an interest in art education and centrality of arts, Sluys asks: how do we create a more accessible space for the arts? “How do we connect arts in a meaningful way to the urgent issues and concerns in society?”
The SenseLabs project in Lethbridge, Alberta has been looking at ways to address these questions. Participants looked at wasted spaces in the city, such as spaces between boulevards, and came up with a two-week project to “fill” those wasted spaces. A red carpet was placed in all the places that are overlooked in the city.
“Our perception of the world is developed through artistic thinking, and when we are living in a city where every building or potential artistic space can be creatively decorated, then members of the community should join together to make it a better place to live,” says Sluys.
The SenseLabs engaged a group of non-artists to be creative, and discovered that most of them had some experience with drawing that they carried with them from early childhood.
So “how do you make arts central and meaningful in our community?,” asks Sluys.
Cities for People suggest that individuals in a community do not become interested in arts and culture until they practice it themselves. Sluys says we should remove barriers in the cultural industry.
“We are not paying to see that piece of art the same as we do for outdoor concerts. There’s a difference between not paying for art because it’s worthless and engaging audience with complimentary performances and street art,” he says.
The question we ask moving forward is, “how can we hold ourselves responsible for improvements in our city?”
The 2015 National Congress on Culture brought many laughs, new connections, exciting and insightful new experiences, and most of all, the biggest collection of art in all its’ forms. The biggest take away from the Congress was learning that art does not just mean a painting on a canvas; but rather it can evolve into a dance, instrumental number, song, poetry, multimedia production, culinary arts, and just simply words in relation to media interviews; you’ll see this art get knocked out of the water by Marci Ien, Co-host of CTV’s Canada AM. Marci mentored the CTV/Culture Days Student Reporters on Saturday morning, sharing her profound and insightful stories that inspired the emerging reporters and taught them important tips about the journalism field.
The first exhilarating experience involving art was the red carpet welcome by the improv team. They made “regular folks” feel like celebrities by asking to pose for photographs with delegates and requesting their autographs
Their attempt to make everyone feel welcome succeeded through performance. This selfie-taking skits prompted a lot of conversation at the start of the event and set the tone for the rest of the day. We, as the CTV/Culture Days Student Reporters, were able to experience the making of a Culture Days video titled “What’s Your Story?” directed by Culture Days’ Communications Manager & Content Producer, Elvira Trugila, working with her camera man, Tom Gunia.
Each person took a turn speaking in front of the camera and holding up a sign that said “What’s Your Story?”; many delegates from different cultures participated in the video. It was a fun and educational experience for Student Reporters to be part of a professional artistic video.
During the break between events, the Student Reporters and Congress delegates enjoyed a unique performance by a contemporary dance group which took the hallways of the Citadel Theatre by storm. They presented a series of short dance sequences with an old fashioned record player as their musical source. The women flowed through each motion like a wave in the water, flawlessly and with grace.
The art of journalism is often overlooked as it is considered abstract. People often do not consider someone who is using words or photographs, instead of a canvas and paintbrush to connect with audiences on an emotional level, as an artist. During Congress 2015, one talented individual managed to accomplish this through her attentive and careful journalistic skills. Marci Ien conducted an interview with facilitators, community organizers and award-winning interdisciplinary visual artists Eric & Mia. They spoke about their motivation to use performance and art as tools for social action. They are also driven to create a tightly knit community through participatory performance by citizens. These cutting-edge artists were able to answer a collection of focused questions about their emerging art, and struggles as artists. Here, they can be seen answering questions for Marci, while inspiring the entire auditorium.
On the topic of dance, there was more culture to absorb watching the talented Running Thunder Dancers perform a traditional Native American tribal dance at the Awards Cocktail & Dinner. The Running Thunder Dancers are an Edmonton-based First Nations dance group that promotes health and wellness through their talented routines. Wearing Jingle Dresses (also known as Regalia), dancers performed a healing dance featuring intricate, controlled footwork with poise, endurance and grace. The Running Thunder Dancers brought the entire dining room full of people to life; all eyes watched in amazement as one dancer held several hoops and executed various types of tricks and maneuvers. The dancers put an artistic twist to the start of the evening.
The delegates and the CTV/Culture Days student interns were able to enjoy a lovely Awards Dinner & Cocktail while being entertained by some of the most interesting and unique performers and artists among Canada’s cultural community. This included the Vancouver-based multi-instrumentalist Chloe Ernst performing songs from her debut album “Dedicated State”. The album grabbed the attention of the Canadian Folk Music Awards in 2008, where she won the ‘Emerging Artist of the Year Award’ sending her on tour across Canada playing at folk festivals, clubs, and coffee shops. She is building her career through a loyal fan base and getting to know them one song at a time.
Another talented performer during the Awards Cocktail & Dinner was Edmonton’s Lindsey Nagy. Renowned Canadian singer/songwriter Jully Black called Lindsey “the future of Canadian music” after hearing her play at a 2006 showcase. With fifteen years of performing under her belt, Lindsey has performed with the Red Piano Players, Gateway Big Band, Grant MacEwan Showcase Band and many other musicians. In a flourishing career, the singer/songwriter currently performs at the Red Piano and teaches voice and piano.
Award winners posing with Marci Ien
To top off an rewarding night, all these memories would not have been possible without the talented services of one particular artist and owner of Edge Photography, Paul Thurlin. His photographs did not miss one moment of the 2015 National Congress on Culture.
A final thank you to the woman who made it possible for the CTV/Culture Days Student interns to be a part of such an incredible opportunity, Culture Days’ Communications Manager & Content Producer, Elvira Truglia.